{"title":"Trending","description":null,"products":[{"product_id":"frits-stereo-modulator","title":"Frits Stereo Modulator","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eThe Frits\u003c\/strong\u003e multi-mode modulation pedal brings a deep dive into short time modulation. Based on the reel-to-reel tape machines from yesteryear, the Frits provides flanging, chorus, modulated slapback delay and (faux) reverb and everyting in between. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChoose between smooth sine wave modulation and worn-tape-like random modulation. The analog mix control allows you to go from full dry to full wet (hello vibrato!) and everything in between. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eWhat's better than a versatile multi-mode time modulation pedal you say? \u003cstrong\u003eA STEREO multi-mode modulation pedal!\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe left and right channel of \u003cstrong\u003eThe Frits\u003c\/strong\u003e are completely independent, providing stereo in stereo out. With nothing plugged into the left input, the pedal is set to mono in stereo out. \u003cbr\u003eAnd it gets better; in Direct mode the left and right channel can be enabled\/disabled individually, allowing you to easily use the pedal in a wet\/dry set-up. Or use the pedal in two different places in your signal chain and choose where you want to use it (before or after your overdrives). Or go crazy and link up the two channels in series for double the fun!\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn preset mode, engaging the left footswitch overwrites the Rate, Depth of Feedback\/Lag knob, depending on how the left toggle switch is set, with the level set by the Level B knob. Switching between a slow swirling chorus and a fast rotary-like effect? \u003cbr\u003eGoing from subtle barely there flanging to full-on-jet flanging? Momentarily self-oscilating your delay in the middle of a solo? It's all there with the touch of a footswitch!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e- Multi-mode short time modulation\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e - Flanger (max delay time 14 ms)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e - Chorus\/Vibrato (delay time can be set with Lag knob)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e - Delay\/Reverb (delay time 110 ms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Relay-based true bypass with momentary hold function. External bypass port allows connecting the footswitches of different Iceberg Effects pedals together\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Preset mode: left footswitch overwrites the Rate, Depth or Feedback\/Lag knob (depending on the position of the left toggle switch) with the level set by the Level B knob. Hold the left footswitch to momentarily engage\/disengage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Direct mode: Left footswitch enables\/disables the left audio channel individually. Hold for momentary function\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEasily switch between preset and direct mode by holding both footswitches and moving the right toggle switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Top mounted jacks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 1590BB enclosure 120 x 94 x 34 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Center negative power supply\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Current draw 125 mA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Iceberg Effects","offers":[{"title":"Default Title","offer_id":46642674270427,"sku":"ICEBEFRI-NP004","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/4761\/2379\/files\/IMG_3699.png?v=1744700393"},{"product_id":"silicon-fuzz","title":"Fuzz 292","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSilicon fuzz is famous for being a wild ride - high gain, sizzling treble, and a propensity for squealing feedback. I do love the immediacy of silicon fuzz - the fast attack, stability at any temperature (you can get amazing \"velcro fuzz\" tones) and the overall \"cut\" and presence in a mix. So the task was to maintain the Good, mellow out the Bad, and lose the Ugly. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn design, landing on the choice of BC109 and BC183 transistors led us to the name \"\u003cstrong\u003eFuzz 292\u003c\/strong\u003e\". The BC183 in particular is renowned for it's relatively smooth sounding fuzz, even for a silicon transistor. So we started there and added a passive filter so you can \"warm it up\" even more. The tone control doesn’t reduce the gain or output of the pedal. Use this to tame the “brightness” of the fuzz, or let it all all through for a classic 70′s fuzz-fry.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlso key to our “\u003cstrong\u003eFuzz 292\u003c\/strong\u003e″ is a 3-way voicing switch: treble-boosted fuzz, a standard moderate gain voicing, and high gain fuzz-fever freakout. So at the flick of a switch, you can change the overall character of the Fuzz 292 and how it reacts to your picking and guitar volume knob adjustments. The treble position can help fuzz work better with humbucking pickups, but it also combines in an interesting way with the tone control - try popping it into \"treble mode\" then rolling the Tone knob back to compensate for a different character of fuzz. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe “bias” control lets you shape the character of the fuzz further. Bend the character from a smooth, overdrive-like fuzz into a gated, “ripping velcro” fuzz tone. 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Turn the knob up and you shall receive it. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe GRIT switch changes between symmetrical and asymmetrical clipping. Symmetrical clipping creates a more compressed, sustaining sound. Asymmetric clipping increases clarity and dynamics. This switch can also be used to eliminate phasing issues when double-tracking\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Tone section:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe EQ switch allows you to select boosted mids, flat mids, or scooped mids to sculpt your tone in order to fit well in any mix.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe TONE knob isa dual-mode filter, allowing you to accentuate the low and high frequencies while maintaining transparent mids. this can get into bright fizzle on top sounds or bass heavy growls.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach PBJ effects pedal is designed in small batches and hand-crafted in Phoenix AZ. 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The second set is a pair of LED diodes (0.01%, for the abstaining or sober-minded) which provides a softer clipping and a much higher clipping threshold, thus providing a mid-rich and warm boosted signal that leads to jangly overdrives and clean tones reminiscent of mid 70’s and classic tube overdrive vibes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe 800 Distortion v2 features an internal DIP switch that will toggle the output treble filter on or off. 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